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abstraction is born: colors cross the drawn limits
seem diametrically opposed
but he distinguished himself for a solitary choice: the use of color in abstraction rather than figures
text on the back (like all the lithographs in this edition) and untrimmed margins
Printed for the typographic part at the Hofer printing house in Paris
MIRÓ JOAN, Lune verte, 1972 sculture abstraction is born: colors crossPerfect impression in current edition. Plate out of text for Joan Mir Lithographe I, Paris 1972, printed by Fernand Mourlot for the publisher Maeght. Perfect preservation, with untrimmed margins. Bibliography Mourlot IV. 861 Cramer 160
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