Voir Paris. Collections – Expositions Alain Schnapp s’appuie autant sur

Alain Schnapp s’appuie autant sur des sources archéologiques que sur la poésie

Second edition in 6 volumes

forêts et parcs

but also the beliefs

Peter Paul Rubens

Voir Paris. Collections – Expositions Alain Schnapp s’appuie autant surPainters needed trees, objects, and street scenes for their compositions. Around 1897 1898, he began to photograph Paris systematically. The period was interested in the capital's heritage, and the Old Paris Commission commissioned several series from Atget, which he called Picturesque Paris, Art in Old Paris, and Surroundings. Equipped with an imposing apparatus comprising a bellows camera with a frame loaded with glass plates, the photographer