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including the succession of his pupils and disciples
from Venetian luminism in the 16th century to the almost monochrome applications of "color-field painting" in American abstraction in the 1950s or the kineticism of op art in the 1960s
This work is an extension of the exhibition Images of Clay
to the Middle Ages and the Renaissance
Studia Pohl Collection No
Chefs-d'oeuvre perdus et retrouvés. Photographie including the succession of hisPoussin Society. Third notebook. May 1950.
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